My fascination with ceramics began at evening class where I learnt to throw and became familiar with the basics of working with clay and glazes. My move to Oxford coincided with a desire to explore new avenues and my interest changed to hand building, which is now my main focus.

I work in a variety of stoneware clays to hand build my pots, creating small, medium and large pieces, both functional and sculptural. These are then fired in an electric kiln. My work is frost resistant and is therefore suitable for use both indoors and outside.

Handbuilding allows for exploration and individuality in each piece, taking on a sculptural quality or a more traditional shape, in each case allowing me to showcase the hues and textures I want to explore. It is a slow process and rarely results in perfect symmetry. Therefore no two pieces are exactly the same. Each piece is unique.

In my studio I am constantly experimenting with different shapes, new glazes and glaze combinations. My glazes are composed of few ingredients, relying on the magic of kiln and chemistry.

I am very drawn to movement in my work, taking my inspiration from traditional forms as well as the lines, tones and textures of nature. My ceramics and my skills are continually evolving and progressing, as I pursue my fascination with clay and its many possibilities.